![]() ![]() ![]() He contends that no human values are absolute that all value distinctions (such as that between good and evil) are artificial, the result of mere traditional prejudices and that humanity should. But for those who are even cursorily familiar with the scene the film will be a revelation. Beyond Good and Evil is a collection of essays and aphorisms in which Friedrich Nietzsche expresses his desire for a transvaluation of all values. The film is really not to be recommended to anyone, since without basic knowledge in Nietzsche and Belle Epoque one can't enjoy the story. She uses pictorial mementos known to most of us and plays a semiotic game that makes quite common scenes to grow ambiguous, even breathtaking. In this film Cavani has also developed a cinematic language she nowhere else applies. ![]() Most of the philosophical points are given in visual argumentation that makes the film a real treasure box for anyone interested in visual thinking and its art. Spiritism, Mozart and a life just petered out make together a scene that is overwhelming in meanings. Cavani uses Mozart's music in a way that makes your spine tinkle. No one interested in Nietzsche or Salomé can leave this film without notice! The interpretation of some of Nietzsche's main ideas are well articulated and visually made comprehensible so that they both win in depth and become even more enticing. ![]()
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