![]() She actually manages to retrieve her memories, sees Hank for who he truly is, and kills the Nephilim leader. ![]() This is perhaps the first book in the series where Nora is actually a likeable character because she’s not just a pathetic heroine crying in bed and obsessing about men. Of course in this title Fitzpatrick ups her game by adding a more active and potent list of characters, namely Hank Millar, her biological father, her mother’s boyfriend, and also her kidnapper. ![]() Unlike Crescendo, Silence actually has a plot: Nora was held hostage by Nephilims and her memory is wiped out, and for once in her life Nora does something instead of sitting in bed, whining about Patch: she’s out to get her memories back. It seems like Silence is Fitzpatrick’s way of apologizing for the sorry piece of teenage mush that was Crescendo. ![]() Unfortunately, I already have the complete set, and wouldn’t that be kind of defeatist to stop reading a saga because I loved the first one and absolutely hated the second? Anyhow, allow me to continue. After plowing through Crescendo, you must think me mad to actually try to read another Fitzpatrick novel. ![]()
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